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The Crusher - Test Dept. - The Unacceptable Face Of Freedom (Vinyl, LP, Album)

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Download The Crusher - Test Dept. - The Unacceptable Face Of Freedom (Vinyl, LP, Album)
1986
Label: Ministry Of Power - MOP 2 • Format: Vinyl LP, Album • Country: Netherlands • Genre: Electronic • Style: Industrial, Noise


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8 thoughts on “ The Crusher - Test Dept. - The Unacceptable Face Of Freedom (Vinyl, LP, Album) ”

  1. Feb 23,  · Test Dept. = テスト・デパートメント* Test Dept. = テスト・デパートメント* - The Unacceptable Face Of Freedom = 自由の仮面 ‎ (LP, Album) Columbia, Ministry Of Power: YXAX, XYAX: Japan: Sell This Version/5(98).
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  2. The Unacceptable Face of Freedom is an unrelenting and exhaustive album, with very dirty textures augmented by forceful rhythms. It is rife with political cynicism and disillusionment, as well as artistic expression and innovation/5(9).
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  3. Feb 23,  · referencing The Unacceptable Face Of Freedom, LP, Album, MOP 2 I bought this in , and have always loved it. Yesterday, I watched Walter Hill's The Driver, and discovered that TUFoF' Corridor of Cells borrows/samples Michael Small's opening credits theme/5().
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  4. out of 5 stars This album is among Test Dept's most cohesive albums Reviewed in the United States on September 8, The Unacceptable Face of Freedom is an unrelenting and exhaustive album, with very dirty textures augmented by forceful rhythms/5(9).
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  5. Apr 29,  · The Unacceptable Face of Freedom, an Album by Test Dept.. Released in on Ministry of Power (catalog no. MOP 2; Vinyl LP). Genres: Industrial. Featured peformers: Alistair Adams (bagpipes), Philipp Erb (programming), Max Davis (organ), Malcolm Poynter (images, graphic design), Ken Thomas (producer), Test Dept. (producer), Ben Young /5(5).
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  6. Nov 28,  · The Crusher; Artist Test Dept. Album The Unacceptable Face of Freedom; Licensed to YouTube by Believe Music (on behalf of Some Bizzare); BMI - Broadcast Music Inc., Warner Chappell, PEDL, and 5.
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  7. こんにちは お届け先を選択 Amazonポイント ランキング AmazonBasics タイムセール Prime Video 新着商品 本 カスタマーサービス.
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  8. The group was formed in New Cross, south-east London in late All unemployed, and with listening tastes ranging from soul to classical music, they searched out whatever they could find to make music with, and for the most part this consisted of scrap metal salvaged from .
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